Very Busy Here, Touring, Playing and Talking to press

Tonight  I am With The Power Cats at  South Holland Arts Centre, Spalding / www.southhollandcentre.co.uk

March

1. Gilad Atzmon 4tet, New Port Arts Centre, Isle of White

2. Gilad Atzmon & OHE @ Posk Jazz Cafe, London / www.jazzcafeposk.co.uk / 0208 7411940

3.  'Jazz At The Westcoast, Margate with the great Phil Robson, Dave Whitford & Lorraine Baker , www.westcoastlive.co.uk

4. Press day in Paris, in case you want to meet me contact me ASAP on giladatzmon (at) mac.com

5. Gilad Atzmon & OHE @ The Stables, Milton Keynes / www.stables.org / 01908 280800

7. Gilad Atzmon & OHE @Bonington Theatre, Arnold, Nottingham / www.jazzsteps.co.uk / 0115 8770284

8 Gilad Atzmon & OHE @ Star & Shadow Cinema, Newcastle on Tyne  www.starandshadow.org.uk

Concert + Screening of Gilad and All That Jazz

Gilad and all that Jazz [TRAILER] from Contra Image on Vimeo.


Record Collector's review - Songs Of the Metropolis (4 stars)


Also top-drawer is Songs Of The Metropolis (****World Village) by GILAD ATZMON & THE
ORIENT HOUSE ENSEMBLE.

Together with his superbly intuitive band, the well-travelled, hard-gigging Atzmon – an Israeli-born multireedsman who seamlessly marries bop with Middle Eastern music – has etched nine vividly evocative portraits of cities and towns, ranging from Manhattan and Buenos Aires to… Scarborough. Whether he’s blowing up a storm of notes or gently caressing a ballad, there’s a luminous vitality at the heart of Atzmon’s playing that’s irresistible to the ear.

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TWITTER SABBATH GOY OF THE YEAR AWARD......

.......And the winner is!!!

Comment by Gilad Atzmon:

One may wonder what brings a Palestinian activist to compose such a twit? Does Ali Abunimah really care about Judaism and its reputation? And why does he believe that Zionism conspires to ‘trick’ us to ‘blame the Jews’?

I guess that Ali has yet to grasp the distinction to be made between Jews (the people), Judaism (the religion) and Jewishness (culture and ideology). No surprise considering his somewhat dated vision on the issues of Zionism.

Ali should know that no one actually blames ‘the Jews’ for Israeli and Zionist crimes. Certainly, some look into Jewish ideology (Jewishness), others look into Jewish culture, a few of us are looking into some of those vile, Talmudic teachings and many of us are intrigued by the goy hatred that is deeply rooted (also) in Jewish secularism (Zionist and anti Zionist alike). Some of us are studying Jewish political exclusivity and Jewish supremacy that is inherent to Jewish left and right while a lot of us are interested in Jewish political power and the Jewish Lobby.

In case Ali failed to notice, Israel defines itself as the 'Jewish State'. It commits crimes in the name of the Jewish people. Its airplanes and tanks are decorated with Jewish symbols. So is it not our ethical and intellectual duty to ask who are the Jews? What is Judaism and what is Jewishness? Considering the crimes committed by the Jewish State against Ali’s brothers and sisters in Palestine,  it is our moral duty to question the relationships between Jews, Judaism, Jewishness and Zionism?

It is depressing, however, to find that, after more than a century of Palestinian struggle, a leading Palestinian blogger is found to be clueless about these basic and fundamental matters. Still, ignorance is no a crime – it can sometimes even be cute.

If only Twitter would only allow Ali some more characters, his message could have read:

“No matter how much Zionism does in its effort to blacken the name of Judaism, NEVER fall for its trick and blame Jews for Israel’s crimes because it may upset JVP and George Soros...”

 

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The Wandering Who? A Study Of Jewish Identity Politics, Jewish Left's  spin and Sabbath Goyim' spiel   Amazon.com  or Amazon.co.uk

Oscar to Hollywood’s “Argo”: And the Winners are … the Pentagon and the Israel Lobby

http://www.globalresearch.ca/

hollywood

Foreign policy observers have long known that Hollywood reflects and promotes U.S. policies (in turn, is determined by Israel and its supporters).   This fact was made public when Michelle Obama announced an Oscar win for “Argo” – a highly propagandist, anti-Iran  film.  Amidst the glitter and excitement, Hollywood and White House reveal their pact and send out their message in time for the upcoming talks surrounding Iran’s nuclear program due to be held tomorrow -  February 26th.    

Hollywood has a long history of promoting US policies.   In 1917, when the United States entered World War I, President Woodrow Wilson’s Committee on Public Information (CPI) enlisted the aid of America ’s film industry to make training films and features supporting the ‘cause’.  George Creel, Chairman of the CPI believed that the movies had a role in “carrying the gospel of Americanism to every corner of the globe.”

The pact grew stronger during World War II, when, as historian Thomas Doherty writes, “[T]he liaison between Hollywood and Washington was a distinctly American and democratic arrangement, a mesh of public policy and private initiative, state need and business enterprise.” Hollywood ’s contribution was to provide propaganda. After the war, Washington reciprocated by using subsidies, special provisions in the Marshall Plan, and general clout to pry open resistant European film markets[i].

Hollywood has often borrowed its story ideas from the U.S. foreign policy agenda, at times reinforcing them. One of the film industry’s blockbuster film loans in the last two decades has been modern international terrorism. Hollywood rarely touched the topic of terrorism in the late 1960s and 1970s when the phenomenon was not high on the U.S. foreign policy agenda, in news headlines or in the American public consciousness. In the 1980s, in the footsteps of the Reagan administration’s policies, the commercial film industry brought ‘terrorist’ villains to the big screen (following the US Embassy takeover in Tehran – topic of “Argo”) making terrorism a blockbuster film product in the 1990s.

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Music Video Tribute for Palestine and Ziyad Yaghi

A story of growth with two former students of mine, Bader Apoelar and Ahmed Abdel Khaliqm...

Ahmed Khaliq with his dad and 'Buddha'

(EAST JERUSALEM, Occupied Palestine) - Today's youth is a beautiful and energetic resource which can be prepared toward creating a better future. I personally enjoy shaping the minds of this resource throughout my career, to prepare them not only for success, but to also bear and struggle with the unfortunate burdens we adults fail to resolve today.

 

Ziyad one of a million Palestinian young men who have been imprisoned with out a crime
This small project is to show the world that we have not forgotten !
FREEDOM

To read more http://www.salem-news.com/

George Galloway speaks for BDS as much as anyone

Nic414676By Paul Larudee

MP George Galloway is an advocate of and participant in BDS (boycott, divestment and sanctions) toward Israel.

Anyone who participates in boycotting, divesting from or sanctioning anything that supports Israel is part of BDS. It includes those who defend Israel itself but oppose and boycott Israeli settlements in the West Bank, and it includes those who oppose anything and everything that has to do with Israel, up to and including its very name.  The critical Zionist's limited boycott of settlement products helps the rejectionist's total boycott and vice versa.

There is no single standard for BDS, no single person who speaks for the entire movement, no wrong way to practice BDS. No one can be excommunicated or found in violation of the movement's principles. All may participate in their own way.  The error is to think that there is a formal apparatus or coalition that speaks for everyone.

To be sure, there is a group calling itself the Palestinian BDS National Committee (BNC).  However, that group appears to speak less for Palestinians and more for western groups, with carefully crafted policies and statements designed to assure that Zionists critical of Israel are not offended by anti-Zionist statements.  Thus, for example, this group was quick to issue a disclaimer that Galloway's refusal to debate an Israeli Zionist did not come within its BDS policies.  However, this does not mean that Galloway's action is not a form of BDS and that he is not one of many advocates for this form of protest.
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Bradley Manning and the Appalling Silence of Gay, Inc.

GA: I have never  published materials concerning Gay issues, but I decide to publish the following Counterpunch's article  because it touches some interesting spots within the context of  marginal politics. In the next few days Iwill try to extend the discourse and discuss the links between LGBT,  Palestinian Solidarity and the Jewish progressive voice.  

 

http://www.counterpunch.org/2013/02/22/bradley-manning-and-the-appalling-silence-of-gay-inc/

Bradley Manning, Gay NGOs Betray Their Own Mission Statements and Fail to Promote an Inclusive Justice Agenda

by ANDY THAYER

One of the signature traits of LGBT subculture in the United States is its adoration of celebrity.  If a well-known person voices the most milk-toast notion that gays are human beings, let alone deserving of legal equality, banner headlines in the gay press are guaranteed.  If the celebrity comes out as gay, even more effusive coverage is given.

Any number of fading stars and starlets, and non-entities on the make, from Lady Gaga to Chaz Bono to Ricky Martin, have mined the LGBT community to support their careers. Our community’s eager rush to embrace just about any celebrity who deigns to notice our existence is emblematic of our lack of self-esteem, our internalized homophobia.

So why is it that all of the big gay non-profits, from the National Gay & Lesbian Task Force (NGLTF) to the Human Rights Campaign (HRC) – “Gay Inc.” – have failed to utter a word of support for Private Bradley Manning, let alone really campaign for him?  He’s gay, has moderately high name recognition, and unlike any number of air-head celebrities, he’s actually done something to support social justice, rather than mined charitable causes for personal fame and fortune.

Manning’s contributions to human rights have been recounted frequently enough to require only a brief recitation here.  He exposed U.S. war crimes in Iraq [2] [3] [4] and Afghanistan.  His exposure of the corruption of the oligarchy in Tunisia helped kick off the ‘Arab Spring,’ toppling U.S.-supported dictators around the region.

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BDS Against George Galloway

By Gilad Atzmon

With BDS, it’s never boring. Although formed initially to mount pressure on Israel, increasingly BDS campaigns are now, bit by bit, focusing on silencing any pro-Palestinian voice with an IQ over 90. For the BDS leadership, intellect is a threat – and they may be right.

For a year now, we have noted BDS’ repeated assaults on leading activists and intellects such as Ken O’Keefe, Prof. Norman Finkelstein, Alison Weir, Greta Berlin, Daniel Barenboim, yours truly and many others. But this weekend, the BDS found a new potential punch-bag: British MP George Galloway.

http://youtu.be/J9QF-ZXy4pU

On Wednesday, MP Galloway walked out of a debate at Christ Church, Oxford.  Galloway was upset to find that he was about to be in debate with an Israeli. "I was misinformed" he said. "I don't debate with Israelis. I don't recognise Israel." Galloway later wrote on Twitter "No recognition, No normalisation. Just Boycott, divestment, sanctions."

Now surely, Galloway’s reaction, though impulsive, must be accepted or at least understood by Palestinians and their advocates. Not so, it seems. The ‘Jews in the movement’ were really distressed, so much so that Israeli BDS enthusiast Rachel Shabi confirmed on The Guardian yesterday that the BDS national committee was quick ‘to issue a statement’ to disassociate itself from Galloway’s attitude. It looks like the BDS Committee in Ramallah has, once again, had to bow to its paymasters.

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Evening Standard's Album Review (4 Stars)

http://www.standard.co.uk/l

GILAD ATZMON & THE ORIENT HOUSE ENSEMBLE
Songs  of the Metropolis
(World Village)
****
The fiery Israeli who hit London with a jazz-and-politics double whammy in  2000 has mellowed into a souvenir-collecting world traveller. Paris, Vienna, Berlin, Moscow and Manhattan are among his new titles here, each appropriately seasoned with local flavourings which add accordion, soprano sax and clarinet to the leader’s meaty alto saxophone. Buenos Aires, Tel Aviv, Scarborough Fair and even Somewhere in Italy also make the cut, but surprisingly not Cricklewood Broadway. Faithful Frank Harrison adds lyrical flourishes from the piano and the whole dish is  heated by Yaron Stavi’s mellow bass and the sizzling drums of rookie Orienteer Eddie Hick. Their album-launch UK tour calls at the Pizza Express Jazz Club in Dean Street tonight and tomorrow.
JACK MASSARIK

An Argument in Defense of Haredi Jews and Against Secular Zionist Militarism

GA: This is a very interesting piece by Prof James Petras who gathers that, as far as Zionism is concerned, it is actually the secular Jewish ideology that poses a grave threat to peace. I totally agree with Petras. in The Wandering Who I contend that  it isn't Judaism and  it isn't the 'Jew'. It is actually Jewish ideology as performed by those who identify politically as Jews (Zionists as well as Jewish 'anti' Zionists). 

By James Petras

            Israel is heading towards a profound internal crisis: a Jew-on-Jew confrontation, which has major implications for its relations with the Palestinians, as well as its Arab neighbors.  The conflict is between the highly militarized Zionist state and the Haredi religious movement over a number of issues, including recent proposals by the Israeli Prime Minister Netanyahu to end the religious exemption of Haradi youth from serving in Israel’s colonial armed forces.

Haredim and the Zionist Colonial State

            Even before the forcible imposition (‘founding’) of the state of Israel, the Haredim were opposed to Zionism.  Today the vast majority of Haredim in Israel remain staunchly opposed to the Zionist state for religious, ethical and political reasons.  Haredi religious teaching claims that the Jewish people are bound by three oaths: (1) not to settle in Israel by using force or violence, (2) not to make war with other nations and (3) not to act as if the other nations of the world would persecute Israel.  Haredim opposed Israel’s violent ethnic cleaning of over 850,000 Palestinians in the course of establishing the Israeli State and continues to oppose Israeli settlers’ violently land grabs against Palestinians.  Unlike other so-called ‘ultra-Orthodox’ sects, who support Zionist colonialism and bless the Israeli military, the Haredim maintain that militarism corrupts the spirit and that Zionists have transformed Jews from righteous followers of the Torah into rabid ethnocentric supporters of a militarist state.  For the Haredim, ‘state worship’, especially the waving of the Israeli flag in the temple, is a sacrilege comparable to the renegade Jews condemned by Moses for worshipping the Golden Calf.

            The majority of Haredim boycott elections, organize their own schools (Yeshivas), encourage students to deepen their religious studies, emphasize community and family values (of a profoundly patriarchal sort) with numerous children and strongly reject the Zionist state’s efforts to conscript Haredi youth into their colonial occupation army, the so-called Israeli Defense (sic) Force (IDF).  All major Zionist political parties and the ruling colonial regime unite to demonize the Haredim, claiming they are shirking their patriotic military responsibilities. Via the mass media and public pronouncements Zionist politicians and the state incite Israeli hatred against the Haredim:  A study in 2006 claimed that over a third of Israeli Jews identified the Haredim as the most unpopular group in Israel.

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Gilad Atzmon on Jason Liosatos' Radio Show

http://www.blogtalkradio.com

A very interesting interview with a fellow artist and humanist Jason Liosatos.  We explored many familiar topics as well as  new ones: we spoke about  Jewish progressive politics as an extension of Zionist supremacy. We discussed the dangers involved with marginal identity politics and The Guardian's  role in pushing this discourse. We  examined the embarrassing fact that it is actually Jewish secular and socialist  politics rather than Judaism that are responsible for the plunder of Palestine. We spoke about Jewish political attitude towards history and time, the role of the holocaust, anti-gentile ideologies, Jewish pressure groups, Zionist lobbying, BDS being an extension of Jewish power (Soros, Open Society), Spanish Civil War being the first Neocon war,  the Occupied Palestine Solidarity movement and more.

Listen to internet radio with JasonLiosatos on Blog Talk Radio

Washington JCRC launches legal fund to help 'wrongfully imprisoned' Jews

JTA (The Global News Service of the Jewish People) reported yesterday on a "new legal defense fund for Jews seen as being held wrongfully because of their Jewishness"

The fund will help cover the defense of Jews in the United States and throughout the world who the Jewish Community Relations council believes have been wrongfully charged or imprisoned. Funds also will be used to cover costs associated with advocating for the prisoners.

And I think that time is ripe for the Jewish Community Relations council to launch a fund that will help cover the legal defense of millions of Palestinians who have been wrongfully imprisoned by the Jewish State in the name of the Jewish people.

BDS at Brooklyn College: the Benefits of Pro-Israel Overkill

http://www.deliberation.info/

by Jay Knott

Sunday, February 10th, 2013

 

On February 7, Omar Barghouti and Judith Butler defended the Boycott, Sanctions and Divestment (BDS) movement in front of an audience of over 200 at Brooklyn College. Far more than 200 people have heard about it, because the college’s decision to host the talk was publicly denounced by renowned lawyer Alan Dershowitz, and other Jewish supremacists, using their customary hyperbole. For example:

Hate orgy… second holocaust… hostility towards the vast majority of Jewish students at BC who identify with the Jewish state… the department’s sponsorship serves to condone and legitimize anti-Jewish bigotry… a hostile environment for Jewish students on our campus.

israel-students-bds
Jewish students oppose the meeting

 

As a result, it got a lot more publicity than if he’d left it alone. This led a columnist in Israeli newspaper Haaretz to complain about “the perils of pro-Israel overkill”:

Overzealous Israel defenders used a five-megaton bomb to swat a fly, and it blew up in our faces. But Brooklyn is only a harbinger of nasty things to come. (haaretz)

He’s accusing Dershowitz of making a tactical mistake. But, though the Dersh may be accused of many things, no-one ever said he is dumb. The columnist may not realize it, but I suspect Dershowitz does – over-the-top attacks benefit Zionism. They move Israel’s goalposts closer together, making it look as if people like Barghouti are militant opponents of Jewish supremacy, strengthening their effectiveness within the Palestine solidarity movement.

Now thousands of people have heard about Barghouti and Butler’s brave stand against censorship. What most of them haven’t heard about is the BDS movement’s quiet abandonment of the right of return for the Palestinians. Without consulting its affiliates, the movement changed the wording of its mission statement from demanding that Israel ends

  • its occupation and colonization of all Arab lands

to

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Rainlore's Review: Gilad Atzmon & The Orient House Ensemble - Songs Of The Metropolis

Album Cover - Songs Of The MetropolisSongs Of The Metropolis


http://www.rainloresworldofmusic.net/

Released on 21st January, Gilad Atzmon & The Orient House Ensemble's Songs Of The Metropolis is their second release on the prestigious World Village label, and their first in nearly two and a half years.

By way of a preamble, as it were, I feel compelled to note the following. It is curious to note how two great jazz musicians, both very much belonging with the giants of the past, one in Britain, Gilad Atzmon, and one in the States, Mark Weinstein (reviewed app. a week ago), one primarily known for his alto and soprano sax and clarinet, the other a jazz flautist, both fierce, fiery improvisers, both from totally different musical backgrounds and with totally different styles and approaches, are releasing albums within a few short weeks of each other that have so much in common, in spite of taking entirely different directions. Fundamentally, and most strikingly, both albums mark a fairly radical departure from each of the artists' usual directions and styles, and have both venturing well outside of their 'comfort zones.' Both albums are about heart, and beauty, and seem to question the soullessness of our modern world. Both almost force the listener to stop everything and listen to a more serene, sublime sound, to listen to their heart, each in its own different way of course. This is, perhaps, where the similarities end...

As ever, this demonstrates, elegantly, how our commonalities outweigh our differences, and how those little differences make life interesting of course.

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Spielberg v. Tarantino

Hollywood and the Past

 

By Gilad Atzmon

History is commonly regarded as an attempt to produce a structured account of the past. It proclaims to tell us what really happened, but in most cases it fails to do that. Instead it is set to conceal our shame, to hide those various elements, events, incidents and occurrences in our past which we cannot cope with. History, therefore, can be regarded as a system of concealment. Accordingly, the role of the true historian is similar to that of the psychoanalyst: both aim to unveil the repressed. For the psychoanalyst, it is the unconscious mind. For the historian, it is our collective shame.

Yet, one may wonder, how many historians really engage in such a task? How many historians are courageous enough to open the Pandora Box? How many historians are brave enough to challenge Jewish History for real? How many historians dare to ask why Jews? Why do Jews suffer time after time? Is it really the Goyim who are inherently murderous, or is there something unsettling in Jewish culture or collectivism?  But Jewish history is obviously far from being alone here: every people’s past is, in fact, as problematic. Can Palestinians really explain to themselves how is it that after more than a century of struggle, they wake up to find out that their current capital has become a NGO haven largely funded by George Soros’ Open Society? Can the Brits once and for all look in the mirror and explain to themselves why, in their Imperial Wars Museum, they erected a Holocaust exhibition dedicated to the destruction of the Jews? Shouldn’t the Brits be slightly more courageous and look into one of the many Shoas they themselves inflicted on others? Clearly they have an impressive back catalogue to choose from.

The Guardian vs. Athens

The past is dangerous territory; it can induce inconvenient stories. This fact alone may explain why the true Historian is often presented as a public enemy. However, the Left has invented an academic method to tackle the issue. The ‘progressive’ historian functions to produce a ‘politically correct’, ‘inoffensive’ tale of the past. By means of zigzagging, it navigates its way, while paying its dues to the concealed and producing endless ad-hoc deviations that leave the ‘repressed’ untouched. The progressive subject is there to produce a ‘non- essentialist’ and ‘unoffending’ account of the past on the expense of the so-called ‘reactionary’. The Guardian is an emblem of such an approach, it would, for instance, ban any criticism of Jewish culture or Jewishness, yet it provides a televised platform for two rabid Zionist so they can discuss Arab culture and Islamism.  The Guardian wouldn’t mind  offending ‘Islamists’ or British ‘nationalists’  but it would be very careful not to hurt any Jewish sensitivities. Such version of politics or the past is impervious to truthfulness, coherence, consistency or integrity. In fact, the progressive discourse is far from being ‘the guardian of the truth’, it is actually set as  ‘the guardian of the discourse’ and I am referring here to Left discourse in particular.

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Jazzmann-Gilad Atzmon & The Orient House Ensemble in Abergavenny

Gilad Atzmon & The Orient House Ensemble / Ruby Rose, The Swan Hotel, Abergavenny 10/02/2013.

http://www.thejazzmann.com/

Gilad Atzmon & The Orient House Ensemble

Gilad Atzmon & The Orient House Ensemble / Ruby Rose, The Swan Hotel, Abergavenny 10/02/2013.

Manic energy, earthy humour and political comment all topped off by superb musicianship, there's never a dull moment at an Atzmon gig. 

Gilad Atzmon & The Orient House Ensemble / Ruby Rose, Black Mountain Jazz, The Swan Hotel, Abergavenny, 10/02/2013.

 

The large crowd was testament to the enduring appeal of Gilad Atzmon who has been a frequent and popular visitor to the town appearing at a variety of venues as the guest of the peripatetic BMJ club. This time round Atzmon was stopping off as part of a jaw droppingly comprehensive British tour in support of the new OHE album “Songs of the Metropolis”, his most mature work to date and an album that rates among his best.

 

GILAD ATZMON & THE ORIENT HOUSE ENSEMBLE

“Songs of the Metropolis”, the new album from Atzmon’s “working band”, the long running Orient House Ensemble, is arguably less obviously political and confrontational than some of Atzmon’s previous recordings. Instead it’s a paean of praise to the nomadic lifestyle of the travelling musician and of the sense of place to be found in both the world’s great cities and in the quieter corners of the globe (witness “Scarborough” and “Somewhere In Italy”, tunes that both featured in today’s set).

Not that Atzmon has mellowed out on us, In performance he’s still a larger than life character, sometimes challenging, sometimes surreal and more often laugh out loud funny as he jumps from subject to subject like a bee in a particularly colourful flower bed. His adrenaline fuelled between tunes verbiage is matched by his brilliant playing on a variety of instruments, today alto and soprano saxes, clarinet and accordion. Atzmon is ably supported by his trusted lieutenants Frank Harrison (keyboards), Yaron Stavi (double bass) and relative newcomer Eddie Hick (drums).

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