The Jewish Bank that Rules The World ! (must watch)
An opportunity to understand the devastating global impact of Jewish bankers and their dedicated Sabboth Goyim.
souce: http://www.aljazeera.com
Gilad Atzmon is a jazz & world music artist, a novelist and an author focusing on ID politics.
Welcome to Gilad Atzmon's webpage. This site provides information about Gilad's musical and intellectual activity.
An opportunity to understand the devastating global impact of Jewish bankers and their dedicated Sabboth Goyim.
souce: http://www.aljazeera.com
Yesterday on Press TV's The Debate, I confronted Lee Kaplan - a uniquely pathetic Hasbara mouthpiece. By the time the debate was over, not much was left out of Israel's argument or Kaplan's dignity.
By Gilad Atzmon
It is amusing to witness the energy and effort mainstream news outlets are investing in diverting attention from the fact that the current mess in Iraq is the direct outcome of Jewish political domination of the West for the last two decades.
When America and Britain launched the criminal second Gulf War, it was the Zionist Neocons, a bunch of politically influential Jews who urged the ‘liberation’ of the Iraqi people. Members of the same breed of tribal exponents have rallied for intervention in Iran, Libya and most recently in Syria.
But Zio-cons were not the only Jewish players in this iniquitous game, they were opposed by a Jewish progressive front largely funded by George Soros and his Open Society Institute. These so called ‘good Jews’ had a different strategy for the Middle East, they planned to ruin the Muslims through the use of Identity Politics by funding Gay, Lesbian, Feminist and Queer groups in the region.
More on Jewish power, Israel, Zionism and the so called 'anti'...
By Gilad Atzmon
Surely, what’s happening now in Iraq and Syria must serve as a final wakeup call that we have been led into a horrific situation in the Middle East by a powerful Lobby driven by the interests of one tribe and one tribe alone.
Back in 1982, Oded Yinon an Israeli journalist formerly attached to the Israeli Foreign Ministry, published a document titled ‘A Strategy for Israel in the Nineteen Eighties.’This Israeli commentator suggested that for Israel to maintain its regional superiority, it must fragment its surrounding Arab states into smaller units. The document, later labelled as ‘Yinon Plan’, implied that Arabs and Muslims killing each other in endless sectarian wars was, in effect, Israel’s insurance policy.
Of course, regardless of the Yinon Plan’s prophesies, one might still argue that this has nothing to do with Jewish lobbying, politics or institutions but is just one more Israeli strategic proposal except that it is impossible to ignore that the Neocon school of thought that pushed the English-speaking Empire into Iraq was largely a Jewish Diaspora, Zionist clan. It’s also no secret that the 2nd Gulf War was fought to serve Israeli interests - breaking into sectarian units what then seemed to be the last pocket of Arab resistance to Israel.
A Film Review by Richard Falk
OMAR is the second film directed by Hany Abu-Assad to be a finalist among foreign language films nominated to receive an Oscar at the 2014 Academy Awards ceremony on March 2nd. The earlier film, PARADISE NOW (2005), brought to life the preoccupation at the time with suicide bombing as the principle tactic of Palestinian resistance by exposing the deep inner conflicts of those who partake, the tragic effects of such terror on its Israeli targets, and the hardened manipulative mentality of the leaders who prepare the perpetrators. Abu-Assad born in 1961 in Nazareth, emigrated to the Netherlands in 1980, writes the screen plays for his movies as well as directs. He has a great talent for story telling that keeps an audience enthralled by the human drama affecting the principal Palestinian characters while illuminating broader issues of profound moral and political concern without stooping to didactic or clichéd means of conveying ‘the message.’ So understood, Abu-Assad’s achievement is artistic in the primary sense, yet attunes us to the dilemmas of oppression and servitude.
Life Under Occupation
In these respects OMAR is superior even to PARADISE NOW in its enduring effects on viewers. By telling the story of what life under Israeli occupation means for the way Palestinian lives are lived day in and day out, the film brilliantly depicts the normalcy’s of romantic attraction contrasting with the abnormalities of humiliating and tormented lives lived behind prison walls. The film opens with Omar climbing the high domineering security wall to overcome the separation of Arab families living on either side, being detected by the Israeli guards who sound sirens and fire a shot. Omar manages to clamor back down and leap to safety. Israeli police on foot and in cars madly chase Omar through the alleyways and streets of an impoverished Palestinian neighborhood. The underlying poignancy of Omar’s situation is to be at once ‘a freedom fighter’ and a sensitive young man deeply in love with Nadia, the younger sister of Tarek, his militia commander. In an unspoken realism, Omar is unconditionally bound to both causes, jeopardizing his chance to live a shadow life of acquiescence to the realities of occupation by his choice to dedicate himself at great risk and little hope to the liberation of the Palestinian people and their land.
Outside The Box - Jason Liosatos with Gilad Atzmon
Jason Liosatos speaks with Gilad Atzmon about the barbaric, abusive and unhygienic Jewish circumcision.
Part 1: http://youtu.be/b2MY2HQp63s
Part 2 http://youtu.be/EaOpLtjYp4I
Part 3 http://youtu.be/Be8Yj6_63G8
One of the most important Palestinian feature films ever, Omar is, to date, the deepest expose of the diabolical nature of the Israeli occupation and the inhuman situation imposed on Palestinians by the Jewish State. It also throws light on the tragic and depressing Palestinian struggle against a sophisticated, demonic enemy - an on-going battle that so far has led nowhere.
In his latest film, Palestinian director Hany Abu Assad sets Omar (Adam Bakri), a young freedom fighter in an impossible, yet common, Palestinian dilemma, caught in a devastating triangle between his patriotic commitment, romance and the omnipresent Jewish State – a brutal, Orwellian, Big Brother that sees everything, knows everything, sets people against each other and controls everything through a network of collaborators even within the resistance.
Once captured by the IDF and being subject to some horrendous physical and mental torture by Israeli intelligence, Omar is set into a hellish scenario. He eventually manages to buy the Israeli’s trust, he lets them believe that he is willing to cooperate. At that moment Omar pretty much seals his fate. He is destined to lose everything.
Though we, comfortable in our cinema seats, know that he never compromised his commitment to his people, one by one, the Palestinians around him, led to believe he is a traitor, they turn their backs on him. Losing the love of his life to his friend - clearly a collaborator - he is ostracised by fellow warriors and their families. Omar, a Palestinian patriot, becomes a pawn in an evil Israeli game. As his situation deteriorates and his tragedy unfolds in front of our eyes, he remains aware of it all, and we, who witness this emerging tragedy, also can see no way out.
Agent Rami (Waleed Zuaiter), the veritable ‘good cop’ is the Israeli intelligence operator who recruits Omar. He appears to be humane, he never uses physical pressure, he also has his own family matters to handle, wife, kid etc’. But all those ‘humane’ symptoms are there to cover a deeply sinister and hideous character. Rami is in fact a cold blood Israeli monster who shatters the lives of others in a mass scale. He systematically makes empathy and human affection into a highly functional instruments of total abuse.
Ahead of his concert tonight at the Vortex Jazz Club, Gilad will give a talk about his first encounter with jazz music and its impact on his ethical and philosophical stand, exploring aspects of music and morality. To book a [...]
‘A formidable improvisational array…a jazz giant’ The Guardian. ‘The best musician living in the world today’ Robert Wyatt 20 years after landing in the UK, saxophonist and composer Gilad Atzmon has become an intensely creative presence on the European scene. [...]
Fri June 6th - book online
Sat June 7th book online
Dr. Ruth, American sex therapist, media personality, and author, explains why she feels home to the Celebrate Israel Parade taking place every year on Fifth Avenue.
By Gilad Atzmon
Yesterday The Jerusalem Post published its “list of the world’s 50 most influential Jews,” those who in one way or another have “worked tirelessly for the improvement of humanity and, in doing so, have made their mark on history.”
The truth is that the list does not exactly fit the Post’s description of it. Not a single humanist is listed; instead we find a catalogue of Jewish war criminals, financiers, gambling tycoons, ethnic cleanser advocates, a Holocaust fraudster, a few Rabbis with minimal importance even within the Jewish world and one Ethiopian entertainer.
I guess that for those who are still desperate to find a Jewish humanist, Masada 2000’s S.H.I.T List is the place to find them.
The J Post’s list is headed by US Treasury Secretary Jack Lew, “who in his position in the cabinet is vital to shaping President Barack Obama’s policy.” Lew is followed by Janet Yellen, “another American Jew who made history this year when she became the first woman ever appointed chair of the Federal Reserve.” Apparently the 1st and 2nd ‘most influential Jews in the world’ are now taking care of American finance. Let’s hope that these ‘influential Jews’ know what they are doing because the last two influential Jews who ran the Federal Reserve left the world’s economy in ruin.
A very interesting informal and rather personal exchange between Eisen & Atzmon touching the most sensitive topics. I learned a lot from this exchange and I am sure that the followers of this site will be fascinated.
Part 1 http://youtu.be/5fOJbWtmBFE
Part 2 http://youtu.be/tF3j8f5MX-8
The Wandering Who? A Study Of Jewish Identity politics and Jewish Power in particular - available on Amazon.com & Amazon.co.uk
Is Jewish power falling apart?
Haaretz reported yesterday that India, China and Turkey called on the international community to throw its support behind the new Palestinian government. Russia followed suit several hours later. European Union foreign policy chief Catherine Ashton also issued a statement calling the formation of the unity government "an important step" the process of Palestinian reconciliation.
Ashton said: "we welcome the appointment of a government of independent personalities and the declaration by President Abbas that this new government is committed to the principle of the two state solution based on the 1967 borders, to the recognition of Israel's legitimate right to exist, to non-violence and to the respect of previous agreements," the statement read. "The EU's engagement with the new Palestinian government will be based on its adherence to these policies and commitments."
Press TV correspondent Joshua Blakeney was interviewed about an unpleasant email he had received from the Jewish Defence League. The JDL was described by the FBI as a "violent extremist organization" in a report entitled "Terrorism 200/2001". Blakeney vowed to continue "soldiering on" in his struggle to expose the pro-Zionist falsehoods of the political and journalistic establishment.
http://www.egaliteetreconciliation.fr/
Alimuddin Usmani interviews Gilad Atzmon
Alimuddin Usmani: Despite its portrayal as racist and anti-Semitic by some French politicians and the mainstream media your Lyon conference with Alain Soral on May 26th was a huge success. Six hundred peaceful people attended the event. Tell us something about your impressions of this gathering.
Gilad Atzmon: Most of all, I was overwhelmed by the demography in the room. As I mentioned that evening, I have never witnessed such a diverse crowd. I guess that 30% of the people in the room were immigrants who see Soral and Egalitarian Reconciliation as the path to true Frenchness. So while the Left talks about ‘diversity’ and ‘tolerance,’ in spite of being predominantly white and totally detached from the lower classes. In the real world, it is Soral who is able to translate diversity into a popular awareness on both social and political level.
This leads me to reflect again on the distinction between dwelling and settlement. To dwell is to love your soil, to adore the sky above it and to cherish your culture with patriotic zeal. To settle, on the other hand, is to occupy a space, to consume, to take, but never to give back. The people whom we met at the conference were clearly dwellers. Many of them are immigrants, yet they are French patriots. The notion of a settler is descriptive of the Jewish wandering attitude. It explains why the Jewish State is an ecological disaster, why its rivers are poisonous, and it also explains why Diaspora Jews are so often attached to the Zionist dream and the ‘promised land’ instead of loving their neighbors wherever they are. Were the Zionist Jews dwelling in France, Britain or USA, they wouldn’t need the dream of returning to a phantasmic promised land. Were the Jewish anti Zionists dwellers (as opposed to settlers), they would fight Zion within a universal campaign instead of from Jews-only political cells that are as racially exclusive as the Jewish State.
I was truly inspired by Alain Soral, by his undeniable charisma, but also by his political message and superb analysis. It is rare to have the capacity to engage in a proper and lengthy intellectual exchange with a large crowd. Soral and I are progressing in parallel modes, we reach the same conclusions through totally different approaches. Very interesting indeed.
Alimuddin Usmani: On May 27 you performed a jazz concert with Dieudonné at Théâtre de la main d'or. Was he flattered by the comparison you made between him and the Christ?http://www.dailymotion.com/video/x1uwhe4_gilad-atzmon-et-la-quenelle-de-dieudonne_webcam#from=embediframe
Gilad Atzmon: To start, let me say it was one the most exciting nights in my entire career. The place is a shrine to goodness and humanity. The positive and sincere vibration is something you detect as you enter the building, it is all-encompassing. Dieudonné himself is a force of nature. I am not surprised that the Jewish ethnic campaigners and their subservient ‘Socialist’ Government are tormented by this man – he is genuine – he is bonded with existence and connected with the people. Dieudonné possesses all of the Athenian qualities the Jerusalemites lack. He is not just Christ, he embodies the meaning of Christ, by means of laughter he transcends himself far beyond his plight.
By the way, I believe that the most interesting aspect of the parallels between Dieudonné and Christ is the similarity in ‘Christ killers,’ those who are united against goodness, truth and against universal and human brotherhood. The term ‘Christ killers’ also refers to the tactics employed in the crucifixion, the role of the Sabbos Goy, the Pontius Pilates of our time, who kill on behalf of others.