“An interesting collection of locations inspires this album of musical evocations. Gilad Atzmon is in a reflective mood as he melodically recreates not only Paris and other cities, like Buenos Aires, Moscow, Tel Aviv and Berlin, but also such towns as Scarborough and, possibly, a more rural 'Somewhere In Italy'; certainly the work seems more pastoral than the others and even has Eric Dolphy-like bird song from the sax.
For this recording, Alzmon plays alto and soprano saxophones and, sometimes, clarinet and accordion. Frank Harrison offers extremely sympathetic support on piano and a variety of keyboards, Yaron Stavi the robust double bass and Eddie Hick percussively drums his way around each urban landscape. Rather than trying to instrumentally re-create actual street sounds, as Charles Mingus did in his famous New York Sketchbook, Atzmon opts for an altogether more impressionistic approach. There is a Christopher Isherwood, Cabaret-like feel to 'Berlin' complete with vocal chorus by Atzmon, Stavi and Hicks, while 'Buenos Aires' is a powerful, slow and atmospheric piece containing some of the album's finest playing.”
John Crosby R2 magazine 4 STARS